Colossus 101
Aug 18, 2022, 06:48 PM
Recording provided by Duncan Whitledge.
"I really enjoyed the industrial rhythms I could hear in the original recording. They were in a sort of beat but felt "off" in a way which I liked a lot. During the initial covid lockdown in NYC is when I started getting into synths and I am still very much a novice but I really enjoy making these kinds of sounds. I also really enjoy brevity from my time playing noise rock."
This is part of the Obsolete Sounds project, the world’s biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds
"I really enjoyed the industrial rhythms I could hear in the original recording. They were in a sort of beat but felt "off" in a way which I liked a lot. During the initial covid lockdown in NYC is when I started getting into synths and I am still very much a novice but I really enjoy making these kinds of sounds. I also really enjoy brevity from my time playing noise rock."
This is part of the Obsolete Sounds project, the world’s biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds