Get soley (look at the sun)
Aug 14, 2022, 01:40 PM
Composition by Zetwal Nwar.
"the original was sliced. I selected three slices, and each one of them went through modular effects/delays/reverb. The viewmaster reminds me of that funny feeling when we were playing as kids in our big family garden, and the viewmaster was kind of the toy that belonged to my father, so he would often come and meet my friends and I when we were playing and showed us how amazing the viewmaster was. The composition tried to explore the sound in a 'slowed and reverb' approach to kind of create a big industrial imagery of the mechanics inside the viewmaster, the effects kind of help me recreate that busy factory vibe. I wanted to keep it short and feel like some factory noise you hear during a usual commuting, the noise is familiar but very momentary; a repetition(delay) based on your routine same principle in a way of the delay/reverb combination. No additional/external sound was used."
This is part of the Obsolete Sounds project, the world’s biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds
"the original was sliced. I selected three slices, and each one of them went through modular effects/delays/reverb. The viewmaster reminds me of that funny feeling when we were playing as kids in our big family garden, and the viewmaster was kind of the toy that belonged to my father, so he would often come and meet my friends and I when we were playing and showed us how amazing the viewmaster was. The composition tried to explore the sound in a 'slowed and reverb' approach to kind of create a big industrial imagery of the mechanics inside the viewmaster, the effects kind of help me recreate that busy factory vibe. I wanted to keep it short and feel like some factory noise you hear during a usual commuting, the noise is familiar but very momentary; a repetition(delay) based on your routine same principle in a way of the delay/reverb combination. No additional/external sound was used."
This is part of the Obsolete Sounds project, the world’s biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds