The Edition: Theatre of war

In this week’s episode: What is the next act in Putin’s theatre of war?

For this week’s cover story, James Forsyth writes about Putin’s dangerous dramatics on the Russian-Ukrainian border and where they might lead. James joins the podcast along with Paul Wood, who writes in this week’s magazine that Putin’s bluff may be backfiring. (00:49)

Also this week: How important is gallows humour?

The BBC’s new comedy-drama, This Is Going To Hurt, based on the best-selling book of the same title by trainee doctor turned comedian Adam Kay depicts some truly gut-wrenching scenes with a touch of gallows humour. This week in The Spectator, Andrew Watts writes a defence of making dark jokes in serious situations as not only a stress relief exercise, but a genuine necessity for getting through the day. He joins the podcast along with Ed Patrick, a comedian and NHS anaesthetist whose new book Catch Your Breath about working in the NHS during the pandemic is out now. (16:05)

And finally: why have we stopped whistling?

Whistling can be seen as a bit annoying at best and rude at worst. But in this week’s Spectator, Steve Morris laments the loss of everyday whistling. He considers it a way of bringing music into one’s life for those who don’t own a piano. He joins the podcast along with whistling world champion David Morris, who has released six albums of his whistling. (25:50)

Hosted by Lara Prendergast and William Moore

Produced by Sam Holmes

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