In Wschodnia

Mar 28, 2021, 02:52 PM

Wschodnia Station reimagined by Annali Lowdon.

"When I first heard the field recording I was drawn to the very pleasing sound of the footsteps that had been captured. I also felt a kind of stillness in the recording, an unhurried feeling, an acceptance that you will get there, when you get there. This was my starting point and why I chose to use the pure frequencies of singing bowls to express a kind of peace and calm.

"However, this soon became more of a response to the tragic disappearance and murder of Sarah Everard and the subsequent outpouring of anger felt by the female community about how unsafe women often feel when travelling. The piece then morphed into my experiences of travelling alone, particularly at night and the tension and vulnerability I have often felt. The piece depicts the altered state of reality you feel when you are in unfamiliar surroundings and feeling unsafe. Alarm bells start to go off and the ‘what if’ questions start to form."

Part of the Until We Travel project to map and reimagine the sounds of transport and travel in a pre-pandemic and pandemic world. See the whole project at https://www.citiesandmemory.com/travel.